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The Allman Brothers Band - Eat a Peach Hybrid SACD
The Allman Brothers Band - Eat a Peach Hybrid SACD

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Product Code: UDSACD2102

Description Track Listing

Sonic Spectacular: This Digital Edition Captures Grit of Live Tracks and Organic Soul of Studio Cuts

Tributes to fallen icons don't come any more poignant or illustrative than Eat a Peach. Released in early 1972, slightly more than three months after guitarist Duane Allman died in a motorcycle accident, the double album honors the musician via sides he recorded in the studio as well as several live performances that didn't fit on the mammoth At Fillmore East. The Allman Brothers Band, determined to press on, also contributes a trio of songs completed after their soulmate's passing. Its execution is near perfect, its concept timeless.

Mastered from the original master tapes, our hybrid SACD of Eat a Peach joins the unparalleled reissue imprint's other Allman titles in presenting the superlative ensemble's work in the most lifelike, uncompromising fidelity possible in the digital format. Not only is the punch of the concert fare transmitted with full-range dynamics and realistic spaciousness, but the studio cuts – in particular, the acoustically framed "Melissa" and "Little Martha" – come through with astounding clarity and body, replete with textural richness that affords listeners images of fingers on frets and sticks hitting drum skins.

In all probability, the Allman Brothers Band would've leapt to the fore of music's commercial and critical elite had it not been for Duane's fateful motorcycle accident that altered history and the trajectory of the group's course. A statement of purpose and homage, Eat a Peach extends the guitarist's legacy in the form of three heart-racing live tunes recorded at Fillmore East, none more important than the nearly 34-minute harmonic showcase "Mountain Jam." Begun at the end of "Whipping Post" during the final show of the group's four-gig stand, the tour de force improvisation finds the band at the peak of its telepathic aural and communicative capacities.

Not that the three studio originals with Duane are by any means forgettable. "Blue Sky" epitomizes the gorgeously elegant colors with which the late virtuoso could paint while the heart-stopping sentimental feel of "Little Martha" finds just he and Dickey Betts engaged in spiritual communion. To this extent, the band continues a mellower vibe on the hit "Melissa," a country-rock ballad that taps into a melancholy feel largely courtesy of Gregg Allman's weary vulnerability and Betts' lyrical, slap-back-echoing guitar lines.

Yet nothing here eclipses the direct meaning and steadfast intent of the record-opening "Ain't Wastin' Time No More," a defiant showing of unity and understated anthem with which the band seemed to embrace as a motto. No one knew, however, that fate would again subvert the group's plans even if it could never take away the magic held within Eat a Peach, sonic and lyrical sorcery that extends to the legendary artwork mural.

Average Rating: 5 of 5 Total Reviews: 1 Write a review »

  2 of 2 people found the following review helpful:
Best SACD Of "Eat A Peach" October 24, 2013
Reviewer: James Moulton from Abington, PA United States  
Quick and to the point, Rob Loverde has made the Allman Brother's "Eat A Peach" into a live experience, There is another version of "Eat A Peach" done by another company about 8 years ago, I thought that was good, When I got this version, I was totally blown away, I felt like I was right there in the room with the Allman Brothers Band. I am selling the other SACD, This new SACD is so good and I don't have real expensive gear, I have an Oppo 980 ran thru an old 1980s Fisher stereo system. I'm interested in the new SACD you all are doing of "Tapestry", I had one that was awesome, but needed money and sold it. This solo on Blue Sky never sounded better, it is so perfect.

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